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 Artist: Minus the Bear: mp3 download Genre(s): Rock Minus the Bear's discography:  Planet of Ice Year: 2007 Tracks: 10  Interpretaciones del Oso Year: 2007 Tracks: 11  Menos el Oso Year: 2005 Tracks: 11  Highly Refined Pirates Year: 2002 Tracks: 14  This Is What I Know About Being Gigantic Year: 2001 Tracks: 7 With tricky strain titles care "Hey, Wanna Throw Up? Get Me Naked," "Monkey!!! Knife!!! Fight!!!," and "Lemurs, Man, Lemurs," it's grueling non to be at least a short bite baffle most this Seattle-based quintette. Featuring members of Botch, Kill Sadie, and Sharks Keep Moving, Minus the Bear emerged on Seattle's music scene in 2001 with the outlet of their six-song EP This Is What I Know About Being Gigantic. The band comprised guitar player Dave Knudson, vocalist/ guitar player Jake Snider, drummer Erin Tate, and bassist Cory Murchy. Though the band entered the studio earlier they always played a show, they toured sharply in living of the EP, then returned to the studio to book book 2002's Highly Refined Pirates, their first full-length album. Both the EP and LP were released by Seattle-based Suicide Squeeze Records. Though the strain titles may leash one to think that they're a freshness act, Minus the Bear provides polished, acutely arranged songs. Finger-tapped guitar riffs sundry with catchy melodies and unexpected time changes keep listeners interested and entertained. Minus the Bear issued two EPs in 2004: Bands Like It When You Yell "Yar!" at Them on Suicide Squeeze and They Make Beer Commericals Like This on Arena Rock. Their adjacent full-length, the self-generated Menos el Oso (Spanish for Minus the Bear), appeared in August 2005; the remix album Interpretaciones del Oso followed in early 2007. The band released the full-length Planet of Ice by and by that twelvemonth. |
 Artist: Burzum: mp3 download Genre(s): Electronic Metal: Death,Black Ambient Metal Metal: Heavy Metal: Industrial Alternative Discography:  Ragnarok (A New Beginning) Year: 2000 Tracks: 8  Hlidskjalf Year: 1999 Tracks: 8  Blast From The Ancient Past (Bootleg) Year: 1999 Tracks: 6  Daudi Baldrs Year: 1997 Tracks: 6  Hvis Lyset Tar Oss Year: 1994 Tracks: 4  Svarte Dauen Year: 1993 Tracks: 3  Det Som Engang Var Year: 1993 Tracks: 8  Burzum and Gorgoroth (Split) Year: 1993 Tracks: 7  Aske (EP) Year: 1993 Tracks: 3  Burzum Year: 1992 Tracks: 11  Oud Spul (Demo) Year: 1991 Tracks: 3  Demo I (Demo) Year: 1991 Tracks: 3  Demo Year: 1991 Tracks: 3  Draugen: Rarities Year: Tracks: 13 Burzum is the one-woman externalise of Varg Vikernes (born Christian Vikernes, aka Count Grishnackh), peradventure the about ill-famed bod in Norwegian sinister alloy. Although Burzum has an unpredictably experimental bent -- extensive black alloy, industrial, electronic, and dark ambient medicine -- Vikernes will incessantly be associated with his conviction for the 1993 remove of erstwhile Mayhem bandmate Euronymous. It wasn't the first-class honours degree time Vikernes had run fouled of the police; he had been a surmise in arsons directed at historic Norwegian churches in Bergen, a perception not helped by his use of a post-fire snap of the Fantoft Kirke church on the cover of Burzum's 1993 Aske EP. Coupled with Vikernes' racist, virulently anti-Judeo-Christian beliefs was a sort of flag-waving pridefulness, a hungriness to refund to the pre-Christian gentile culture and religion that had marked the glory years of the Vikings; this heathenism became a ofttimes recurring theme in black alloy circles, and light-emitting diode to the Norwegian metal sound organism labelled Viking metal in some living quarters. As for his recording life history, Vikernes issued the eponymic Burzum debut in 1992 under his Count Grishnackh false name (taken from a J.R.R. Tolkien book); it was largely a typical black metal record, although it featured a few synth dabblings and slower passages, neither of which had yet plant a great deal favour on the scene. 1993's Det Som Engang Var expanded on those innovations while retaining an overall metal smack. Hvis Lyset Tar Oss (If the Light Takes Us), released in 1994 shortly after Vikernes' immurement, integrated synthesizers more to the full into the Burzum wakeless, and the all-electronic mop up track foreshadowed Burzum's later move into dark ambient. The well-received, Vikernes' immurement. With the vaults so exhausted, Burzum's future appeared to be in question, merely Vikernes managed to begin recording entirely instrumental synthesist albums while in prison. A concept function recounting a well-known Norse myth, Daudi Baldrs (Balder's Death), was released in 1997 as the first gear episode of a planned trilogy. The irregular parcel, the mythology-themed Hlidskjalf, appeared in 1999, featuring an equipment rise and a correspondingly fuller sound. |
As magnetic as ol' Mick Dundee was in the original Crocodile Dundee, the opposite is on display in this subsequence, produced two years later. By 1988, an overexposed Paul Hogan had turned Dundee into a harsh meanie -- fishing turned the coast of New York with dynamite and willing to dangle a man all over the side of a building to get
NBC News' Tim Russert has died of a heart attack, the New York Times is reporting. He was 58.
Though Nas's ninth album is due for release on July 1, it will no longer be titled "Nigger". It seems that the controversial name has finally been shelved, after almost a year of high-strung, back-and-forthing between Nas and everyone under the sun.
There were rumours in late 2007 that the album was to be retitled while public pressure was at a fever pitch, and Nas's label, Island Def Jam, was understood to be capitulating. However, label chairman Antonio "LA" Reid became an unlikely white knight, announcing that "Anything Nas wants to do, I completely stand beside him ... with pride and with pleasure."
The commotion had since cooled, until an interview last week when Nas indicated that pressures had once again reared their heads. "Everybody is trying to stop the title," he told MTV. "Record stores are gonna have a problem in this day and time selling a record with that title. Who knows what's gonna turn out and be on that title?"
Clearly Nas or his label has finally had enough of the controversy, making what they described as an "eleventh hour" decision to scrap the inflammatory title.
The album will simply be called Nas instead. We're relieved to report that this does not appear to be a racial slur - but then again, we're hardly experts. Hopefully, Nas has done his research.
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